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(Brooklyn Art Haus, 11:15 am -12:15 pm, “Shut up and write”)
A group of people trying to do things in the same room but definitely not together
no collaborative process except that their chairs look the same, and that they are all using the fine muscles of their fingers within the same hour
what are they doing?
One guy takes out his laptop, uses his sweater to polish the apple logo on his computer
a girl walks in, 4 minutes after the rest of us, the window for introduction for her has closed and she says nothing, looks at no one…-
except she looks to her right and catches the eyes of another girl, mouths “oh hi!”, smiles quickly and then starts to unpack her things. Untangles her wired earphones. She has the exact same earphones and computer as…-
a young woman in a neon bright pink tank top. She keeps looking up like she’s expecting something more to happen, or to make eye contact with all the other ones before starting. She eventually looks down and begins to write something, but her eyes keep flickering up towards the other ones. She stops typing, removes her bracelet from her right wrist and continues writing. She looks up as a small noise from the person on her left distracts her…-
the person, another woman, older, ruffles a stack of hand written papers. The woman, wearing round glasses, introduced herself as Johanna, had a small lisp, and grew up in Queens. She’s working on her novel. She didn’t mention what the novel was about.
The man on Johanna’s left is clutching his mouth looking at his screen, like something terrible had happened. There’s no way of telling whether he accidentally erased something, or the plot of his “inter series” is just phenomenally thrilling, or if he was hiding a yawn.
It is 11.26 on a Saturday morning and no one is saying a word.
Most of the individuals in the group have similar looking cardboard or plastic cups of something. Coffee, orange juice, something that looks like a smoothie.
A woman in the corner, closest to the door, wears dark red glasses and looks down on to her computer. The computer looks expensive, new, like it’s meant for video editing and not for writing words.
The woman sitting across from the guy who polished the apple-logo is using white apple ear pods. She’s staring blankly at her closed laptop. Next to the laptop is a notebook that she has turned 80 degrees, and her open phone lies on top of the open pages. She’s looking at the phone, a vaper next to it. She doesn’t use the vaper.
The guy with the apple logo scrambles to get up to place a charger in the wall, leaves his phone on the high, rectangular table, plugged in. He returns to his chair and sits up straight. His beard looks like he recently trimmed it, and his computer reveals itself to be the same sort that the two earphone-woman has.
Hands on paper, blue and black pens scribbling tiny things that none of us could tell them another.
You might see a few post-it notes but the writing is in cursive, you think, cursive? In 2024?, and then you realize well that doesn’t mean anything. You might think, is this like that horror movie where they have to guess why they’ve all been put into the same dungeon room or they’ll all be killed? And even though you know the answer to that, I’ll tell you,
no. that’s not what this is.
This is for you to decipher. I’ll only tell you what I think is important, or even what I only observe myself. There could be more. The woman from Queens might have an interesting looking bug bite on her exposed ankle, but maybe I didn’t see that. Maybe you did.
Another guy, a young man, walks in. He sits next to the only person I haven’t described to you yet. They’re both dark skinned and are now sitting so close to each other that everybody in the room would be able to tell that they knew each other, if they looked up.
Most of them don’t look up.
So no one sees that the woman of the two mouths something to the man – something that could either be “what’s the wifi password?” or “do they have oat milk?” or “I should have brought my sweater” or “grandpa just texted me back” or “is Simon ok?” or “how was the demo?” or “can’t deal with this honestly” or “why are you so super late?”
Johanna removes a faint yellow post-it from a page and tears it up, methodically, sticking each piece on top of the other so the tiny stack grows tiny taller.
No one has said a word since the logo polisher entered and the non-vaping woman uttered “I’ll get you a chair”. It’s 11:41 and at one of these tables, something extraordinary could be happening. Maybe multiple. Possible all, perhaps none. As you read these words, you might think, does the world even need another novel? or else you’re maybe thinking I wish I could write something spectacular or maybe you’re just contemplating which was the last book you read, perhaps it was the forewords to the new Kamala Harris biography or maybe it was the one with the green cover that your partner’s little sister bought you or it was your favourite paperback for the 4th time this morning or it was “grapes of wrath” in your third year of high school or it was never.
I thought your question was actually rather interesting. Does the world even need another novel? I guess one answer could be
well, if not now, have it ever?
You won’t know how to answer this except for art is obviously important but its not the definition of life and death,
and I’ll agree, everybody in the room would agree except for Gideon, the guy writing the “inter series” , he will argue that life is nothing without art, to which the woman in the corner will stare down into the table, keeping her mouth a straight line.
You’re starting to contemplate what you would say, which philosophy you would adopt for the sake of argument, calculating how to be not annoying but at the same time true to your opinions and perhaps even vaguely interesting to the others. But no one would ever let you know how they felt about that potential sentence you’re about to say. They’re not going to say anything at all.
Nobody in this room would openly disagree to anything. They’re not here to argue or agree or disagree, the event specification was very clear, this is not for feedback or reading, this is to activate the ego of the writer and let it run amok. You know this. I’ve told you this.
Do you not remember?
The earphone woman, the one I first described to you, not the one who removed her bracelet but the other one who’s in the couch and realized she knew one of the other women in the group, is clearly a bit restless. She’s rearranged her seating position 6 times during the time we’ve spoken. She looks very serious, somehow more serious than all the other people who are also just being quiet and focused. Maybe it’s the fact that she will stare very directly at nothing for two seconds and then return to her tool. You think, is that a bit sexist maybe, you’re describing the resting bitch face and we don’t really use that phrase anymore,
I am whatever you are thinking
Do you not remember?
The voices in your head have been rather loud recently, a bit harder to shake off. It takes you multiple minutes to realize they’re there, and once you have, they’ll return at least two times before you are finally able to shake them off. This all happens during the course of the walk from the super market back to your apartment, and once you finally look at the colour of the fence you’re walking by, you think, if only I could look at this blue colour all the time, which of course has nothing to do with the blue colour, but rather the fact that you’re noticing it, noticing anything,
are you noticing it?
Everyone stopped writing. No ones’ hands are moving. They’re all staring at different directions. At least two of them are staring at the dried flower decorations on each table, but none of them are really looking at them. This makes you feel both safe and uneasy – how come they stopped? But you think, at least they’re thinking, trying to come up with new words, at least they’re not actually looking at a dried flower decoration,
you’re not looking
the voices in your head have been very, very mundane
they’re not having interesting conversations
they’re what you’re about to say once you enter the bar,
once you make it to the register and take out your credit card,
they’re the phone call you won’t be having with a friend later today,
they remove their empty glances from wherever and redirects them towards whatever’s on their tables. Johanna is writing vigorously. She’s bending her back, face inches from the paper. As she finishes what you’d assume to be a sentence, she snaps back, looking at the paper from a distance. You think, she should get glasses, but you’re not looking carefully,
she’s already wearing glasses,
do you not remember? I told you this. Scroll back up. Rewind. However you’re getting this, adjust your system. You’re not doing great.
The man next to the woman who could be his friend or sister or partner or something else that your imagination isn’t capable of coming up with, starts to pack his computer back into his backpack. He starts ripping of thin plastic from a notebook. I know this, you think, that’s a moleskine and they’re always overpriced. That is correct,
but what use do we have of that observation?
He stops removing the plastic. It’s not come all the way off but he stopped doing it. They’ve all stopped doing what they were doing. And now they’re looking at you.
The sentences you’ve involuntarily rehearsed in your mind won’t do you any good now, because this hasn’t happened before. You’ve got no reference points and all the voices are telling you now is I’m 32, I have 1 cat and have had two abortions, I’m about to get married and my brother’s job just told him he had to relocate from San Francisco to Austin…-
I need you to pay attention now
no one is asking you to say anything
no one is saying anything
they’re all staring at you,
or looking at you
but it might be because the voices in your head have been insistent and you’ve been mouthing answers, frowning your eyebrows, smiling with relief as the non-conversation has been going on and now they’re looking at you,
wondering why you’ve started to speak
why you’ve been saying that the milk have probably gone bad and that the best case scenario really isn’t any good and it hasn’t been since Obama and even more so,
they’re clearly wondering why you’re now
letting them know that you’ve had two abortions and am about to get married
and hey,
stop,
no one is asking you to say anything. No one is asking anything from you. But you’re already up and walking towards the smoothie woman, trying to hug her and telling her how it’s been so great hanging out and that you love her and am so thankful for her taking you to this club, the dj was amazing, I don’t know anything about music but I’m just really so glad you took the take to sort of, you know, adopt me as a friend, it’s been strange not knowing a lot of people and
she’s not responding, not with words or with her arms, you might be scar…-
this is such a meaningful experience and I can’t believe we’ve literally seen each other grow up, how sick is that, we were 9, how lucky are we
you need to get out of here
why should I leave
You’re scaring her
she’s my best friend
the other ones have gotten up as well and know people are talking,
they’re talking to you,
their words have migrated from the pages and screens and are now directed at you,
“are you all right?” or “back off” or “what’s wrong with you?” or “should we call someone?” and now,
Johanna is rearranging her stacks of paper, adding light blue post it notes one at a time.
the coffee cardboard cups seem empty because no one is touching them anymore, they’re scrolling through what they’ve been writing for the past hour,
so are you
the earphone woman, not the bracelet one, is hiding a yawn behind a lazy hand and Gideon is still typing
you might think, where did I go, but one of the voices will tell you that you weren’t here, the other ones will already be speaking to you about groceries and subway lines and you’re bored, bored, bored, but at least I didn’t hurt anyone , that’s true, at least you didn’t hurt any of these people in this room, they’re still writing , and their imaginations are unreachable to you, unattainable forever but not to worry, you’ve got me and your father telling you to not forget to do your taxes soon or your childhood friend or the people you might meet at the bar later or the runner you might accidentally bump into the next time you’re walking down the street
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Which one’s the lie of each topic?
NYPD (New York Police Department)
A. It only takes six months to become a cop
B. Announcement on subway speakers: “Dear passengers, the New York City Police Department would like to remind you that backpacks and other large containers are subject to random searches by police officers.”
C. Any NYPD officer is eligible for a program offering 30% off of housing in East Village, Crown Heights, Bed-Stuy or Williamsburg.
MONEY
A. Fee for drinking alcohol out of a can in public: $95 (638 DKR)
B. A 3 lbs. (1,5 kg) bag of oats: $7 (47 DKR)
C. A sign hanging on the wall behind the bar: ”Remember, tipping is optional – so is serving”
LIVING SITUATIONS
A. There’s no point in trying to find a new apartment until 2-5 weeks before moving – they won’t be listed yet.
B. Someone I met told me that she is certain that Pest Control and her landlord are privately corresponding and making deals under the table in order to save money on her expense:
She called her landlord to schedule Pest Control coming over to fog the place for an infestation of cockroaches.
When Pest Control came to see the apartment, they agreed that it was clean and well kept, and that the bug infestation then wasn’t due to her cleanliness but an actual infestation issue.
The landlord afterwards let her know that this observation wasn’t in any of the notes from PC, and so they wouldn’t pay for an exterminator to come over and fog the apartment.
When she demanded that they came back, she video recorded the conversation to be able to provide proof for their next attempt of screwing her over. She told me, frustrated; “What interest would I have in lying? I don’t want to fog my apartment – the chemicals are so bad for you.”
C. A gentrification awareness-community encourages residents of Bushwick to wear the colours red and yellow (the colours of Spain’s flag) every first Monday of the month. This is in order to show support to the original Hispanic and Latinx population of the area.
Wanna guess? Write your answer in the comments
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the only reference pictures you need:


me having the bestest geekiest day
phenomenal tv-show “mr. robot” <3


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Well, I
– Bought a season pass to the comedy club “The Tiny Cupboard” and have gone to 3 shows
– Made 15 posts (16 counting this one) on my blog; a mix of 5 (soon to be 6) new illustrations, creative writing, creative fictional writing, photos taken by me
– Have recorded 54 memos, some of them: sounds from various public places, cafés, subways. Some of them: conversations/interviews on artistic practice, work- or living situation. Some of them: soundbites from cultural experiences like stand-up sets, museums, clubs etc.
– Named all of the above-mentioned memos
– E-mailed 3 theatres requesting a meeting
– E-mailed 2 personal contacts multiple contacts, asking for introduction to theatre related contacts whom I haven’t yet met
– E-mailed other people who I think can help me on my creative endeavors
– Have participated in 2 rehearsals of a solo dance performance as consultant/friend
– Have participated in 2 online masterclasses, observing
– Have had 2 (soon to be 3) personal meetings with my teacher-to-be, discussing the process of the upcoming masterclass and my role in the course
– Have started to develop SoMe-strategy and content for ^ teacher
– Participated in The Moth-event at venue: The Cutting Room
– Participated in weekly work-night at a 150-year old private theater club and discussed future participation in the community
– Participated in booklaunch-event, asked a question in the Q&A and got to have a conversation with my favourite author afterwards
– Went to outdoor concert arranged by St. Ann’s Warehouse on the lawn under The Brooklyn Bridge
– Went to Cooper-Hewitt museum to see “An Atlas of Es Devlin”-exhibition
– Went to the Whitney museum to see the Biennial 2024 “Even Better Than The Real Thing”
– Have read “Such a Fun Age”, “Come and Get It” and started “Just Kids”
– Have bought subscription to The New Yorker and received my first edition
– Went to B&H and bought camera battery charger + shotgun microphone to have everything I need in order to start creating videos
– Went to (to me) iconic locations of where they shot “Mr. Robot” and started re-watching the show again. (Coney Island, Church Avenue Subway Station, E. Broadway)
Not counting:
All the clubs I’ve been to
All the people I’ve met
All the people I’ve seen
All the buildings, birds, abandoned bike locks, cars parked in insane places, smoke ascending from metal grids on sidewalks, full moons, 2-dollar shoes in huge stores, tattoos, the homes I’ve visited, the dogs and cats and more dogs I’ve seen and talked to and touched, the mosaics on subway stations, the reflection of clouds on skyscrapers, grey squirrels, rats, cockroaches, affirmative quotes on mugs, rich people, cool people, poor people, white people, black people, brown people, other people, small people, tall people (few),
Deli-signs,
wifi-passwords (Coldbrew, 12344321 etc.),
trash bins, trash bags, piles of trash bags,
people systematically entering the gate to “my” outdoor-area in front of building, smiling and letting me know that they’re about to check the bins for empty cans and bottles,
Chanel-earrings I wouldn’t be able to tell apart from fake ones but I think they were real based on the determination to get the specific picturesque toast from the cafés website picture,
conversations about perhaps not voting because none of them are acceptable, not even now,
long distance relationships,
queer bars and gentrified safe spaces,
conversations on gentrification,
subwaying by a mural reading “RIP BUSHWICK”
the side of a truck reading “New York is the end of your past and place of rebirth”
$1.50 pizza slices (only cheese topping)
haircuts
total abdominal crunch machine at gym,
suits, skirts, pink hair, breakdancing on subway, the same man playing the saxophone on Canal Street Subway, the same fire hydrant brokenly sprinkling water for weeks and weeks
possible weeks and months
is there an adult present?
are we it?
let’s get cracking, Katinka,
keep up the good work, Katinka,
yes it is work, Katinka.
You live here now
this is not a vacation
you’re here to do something
anything, but definitely not nothing,
you are doing it
and it counts 367 words and all that those words represent
that’s what you’ve been doing, Katinka,
not counting the not counted
Next time you’re feeling down,
impatient
a bit useless and
a bit lost
count those as well
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Hi.
This is my first The Moth-event;
I moved to New York City a month ago, to involve myself in the world of theatre. Theatre is what I do back home in Copenhagen, Denmark, where I’m from.
The story I’m going to tell you guys tonight is about a performance I directed, called “Rejected (full stop)”.
Actually, it was called “Afslag.”, but for the purpose of you lot, it was called “Rejected.”
On January 22nd, 2023, I was sat at the box office of the historical landmark in the center of the city that I worked at at the time. My screen lit up, and I saw that the e-mail from the Danish National School of Performance Arts had finally arrived.
I had a bad feeling.
This was a few days after Miley Cyrus had released “Flowers”, so I waited until I was off from work, went outside and found the nearest flower stand. I figured – if this is the bad kind of e-mail, I’ll buy myself a bouqet and somehow feel better.
I opened the e-mail, and yes, correct, the we-regret-to-inform-you-email had arrived into my life FOR THE 12TH TIME.
I bought lilies, cried a lot and got way too drunk, all according to plan.
I kept the flowers and later dried them in an atlas, somehow knowing they would come to mean something, anything, at some point. 5 months later I would open the book, dust them off and put them in the performance.
But before that happened, a few days after the fatal e-mail, I reached out to the professor of Stage Direction, asking for feedback.
He said, of course, Katinka.
We had a pretty good relationship at this time, because this was not the first feedback-session I was about to have with him.
A few days later I showed up at his office. I asked if I could please record the conversation, so I could focus on listening instead of taking notes.
He said yes.
I kept the memo, didn’t listen to it – I couldn’t bare it – and within the next couple of days, an idea slowly began to form in the back of my mind.
There is a venue in Copenhagen called Basement.
It’s dark, grimy, has concrete walls, is used for raves and underground concerts – and surprisingly, a lot of wrestling – and I knew that the rawness of this dungeon would be able to curate a certain atmosphere that occupied my mind.
And then I realized – not only my mind.
I happened to know quite a lot of people who had also suffered bad e-mails from that particular school. People who were also lowkey hating The Institution and wishing there was another way to make a living as an artist other than getting the paper from the goddamn only (!) official school in the country.
I knew these people because they were basically all of my friends.
And so, on June 22nd , five months after the e-mail, the doors to Basement opened, and the audience were invited to walk down the steep metal staircase into what we called a “live museum of the different aspects of rejection”:
The grief. The frustration. The hope. The denial, the internalization, the power imbalance.
Seven actors and four choir singers occupied the space in different sections, all exploring different aspects of rejection, audio pieces played from the bathroom, collages of rejection letters were glued to the walls, and on another wall was a projection of video footage from my drunk January night of e-mail opening, a shadow in front of the projection; a shadow cast by a bouquet of dried lilies dangling from the ceiling.
The audience were free to explore as they pleased – going by one actor after another, rejecting them as they left them to go on to the next one.
Another actor targeting people who he had previously delegated gold stars to, based on the level of power in those people’s occupations, the actor asking them to rank the best and worst performances of the night.
And there, in the middle of the literal basement of misery, was a white, cloudy tent of calmness. Audiences would walk into the sanctuary, away from all the self destruction and anarchist rage going on outside, and they would sit on the floor by an audio piece.
They would put on the headphones.
And they would listen to a recording of the professor telling me why my application had just-not-been-good-enough.
As the performance ended, I followed the audience back up the stairs into the small courtyard that was bathed in the sun of the summer evening.
And I stretched out my arm and poked a man on his shoulder.
The professor turned around and looked at me.
And he told me,
that he loved the performance.
All this time I’d searched for a way to truly believe that I might not need The Institution.
That I might not need The Paper.
I’m not sure what did it; The representative of The Institution, or the fact that I had spent five months with beloved friends and created something truly special.
But the following fall,
for the first time in 8 years,
I did not re-apply.
Thank you.
Duration: 5:25




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top right – bottom left
same but different order









<3
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(at Books Are Magic, Brooklyn, August 12th)

other honourable mentions
KILEY on Luigi the Renaissance ghost:
He’s that friend who’s not gonna let you forget about all the guys you dated
KATE on how to write:
When I write straight onto the computer, I’m always thinking about what you guys are thinking about my writing, and when I write in long hand, I am with myself and not imagining the reader
KILEY on explaining illness to friends:
The proces of making you understand will make us not be friends anymore
KATE on the form of the plot:
That’s when I started thinking about the story less as a static idea of a girl stuck in her room, and more as a prison break
KILEY on the brilliance of creating imaginary characters:
Most of it is getting the characters into the room, [and it’s awful] but your characters are already there!

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august 12th
15.33
Hala, Bushwick
table by window
I guess I booked a free haircut through salonapprentice.com
because I could
not necessarily
because I’m certain I want a haircut
but I think,
certain enough
I know that
4 months in NYC won’t make my hair grow back much faster than
1 week in NYC
but still I thought I should do it in the beginning of the trip
Either to make it grow as much back as possible
Or to help me embrace
the spontaneity?
Adventure?
Nyc-vibe?
Independence?
Or just to get it over with
so I don’t have time to overthink it
Either way
3:30 in Chelsea tomorrow
So long, farewell, long hair, you were fair,
now you might turn cool
less long
“center part” is “midterskilning”
If I hate it
I can find another free appointment
and dye it
to divert attention from the cut
See? I’ve thought it all through <3 <3 <3 <3
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